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                  <text>2017 Session 4: Ensuring a Sustainable Future for UCH: Museums and Public Engagement </text>
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                  <text>Cultural heritage derives its value from societal contexts, and so public engagement plays an important role in growing support for, and interest in heritage. Engagement may take many forms, from awareness-raising to formal learning programmes to creating platforms for public participation in the process of heritage conservation, governance, and/or interpretation. Papers bridging theoretical and practical approaches to engagement with UCH are particularly welcome, as are papers which offer collaborative and/or participatory models, stakeholder engagement, capacity-building and development, approaches to the particular challenges of engagement with underwater cultural heritage vs other kinds of cultural heritage.&#13;
&#13;
Of course heritage exists in a variety of cultural frameworks, and ensuring sustainability requires approaches to engagement to be both responsive and sensitive to the overlapping cultural contexts in which UCH may exist. As a culturally diverse region, the treatment of heritage must be also tailored to cultural definitions, heritage management frameworks and conventions which may, in some cases, differ across jurisdictions/countries and their interests. The panel will also attempt to explore the ways in which UCH is managed within diverse cultural frameworks, and invites papers to examine topics including contested UCH, ownership, security, etc.&#13;
&#13;
The panel invites papers exploring significance within local, national and transnational historiographies and the implications for funding and management of UCH. UCH includes material that has been deposited on the seabed as a result of warfare and catastrophe, so papers which explore and/or engage with topics including loss, warfare, conflicted significance and contested heritage are particularly welcome.&#13;
&#13;
Other relevant sub-themes include:&#13;
&#13;
* Public engagement in the management of UCH&#13;
&#13;
* Interpreting maritime cultural heritage for non-specialist audiences&#13;
&#13;
* Significance, interpretative potential, stakeholders and support/sustainability&#13;
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* Museums, Education, Outreach and Conservation&#13;
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* Memory, memorials and memorialisation</text>
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                  <text>Raphael Igombo&#13;
National Museums of Kenya, Kenya</text>
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                  <text>Michelle Damian&#13;
Monmouth College (IL), USA</text>
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                <text>PRIISMH project: A Case Study of Community Involvement and Museum Collaboration on Maritime Cultural Heritage around Rottnest Island (Perth, Western Australia)</text>
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                <text>The Program for the Rottnest Island Interpretation of Shipwrecks and Maritime Heritage (PRIISMH) project is a community-based initiative conducted under the aegis of the Maritime Archaeology Association of Western Australia (MAAWA), in collaboration with the Western Australian Museum (WAM), the Rottnest Island Authority (RIA), Tempus Archaeology, and Shipwreck Data, with sponsorship provided by the Maritime Museums of Australia Project Support Scheme (MMAPSS 2016-2017) from the Australian National Maritime Museum. The main objective of the PRIISMH project was to enhance the presentation of Rottnest Island maritime cultural heritage through the use of new and innovative forms of interpretation involving terrestrial and underwater 3D Photogrammetry as a key element in for public engagement.&#13;
&#13;
Specifically, the project was initially developed to address issues identified in a recent condition report on the Rottnest Onshore Shipwreck Plaques (MAAWA, 2015), relating to existing interpretive signage on the island. As a consequence, MAAWA and RIA identified as a priority the need to update existing land-based shipwreck signage (currently over thirty years old) in order to address potential health and safety issues, to improve overall visitor experience, and to improve public accessibility to the Rottnest Island underwater shipwreck heritage.&#13;
&#13;
The project represents a new stage in an on-going long-term program of site documentation, management and interpretation within the broad Perth region, initiated by MAAWA in 2014 under the aegis of the Three-Dimensional (3D) Maritime Archaeology Project â€“ Perth Region (3DMAPRR, Edwards et al. 2016). The structure and nature of the project also allowed it to be connected to another MAAWA earlier initiative (2013), namely the â€˜Shipwrecks WAâ€™ website and app platform to expand the audience outreach.&#13;
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                <text>Nicolas Bigourdan</text>
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                <text>The Museum of Underwater Archaeology</text>
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                <text>November 2017</text>
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                <text>11/24/2017</text>
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                <text>Nicolas Bigourdan</text>
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                  <text>2017 Session 13: The Archaeology of Manila Galleons, Past, Present and Future </text>
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                  <text>This session will focus on a specific part of the rich maritime history of the Asia Pacific region, the Manila Galleons. These ships traversed between continents surrounding the Pacific, transporting goods from India and China to Peru and Spain via New Spain, for 250 years, changing the cultural landscape of South East Asia and America, transforming cultures, peoples, technology, spreading ideas, plants and customs, among many other significant processes. This session explores the archaeological work done to date in regard to these ships and the work being done now in several parts of the world. Furthermore, the session will explore the future ways in which this topic can contribute to present societies. In regard to past works, papers from the excavations done on the Concepcion in the Mariana Islands, and the San Diego in the Philippines are a good opportunity for archaeologists that worked decades ago to present part of that research in a new light as well as present work not yet available to researchers.&#13;
&#13;
Current works from the Philippines, Spain, Japan, USA, and Mexico will be presented. In this part of the session, interesting points of contact between projects and researchers will be encouraged. Different methodologies and research strategies will help projects see their strong points and adapt new ones. Trade, nautical archaeology, among other topics can be presented. Current works will demonstrate that the topic is very much alive and growing.&#13;
Papers on future research objectives can contribute to map the road ahead, looking at different lines of inquiry related to the Galleons.&#13;
&#13;
Above all, the session seeks to make this research topic a celebration of diversity and common heritage that brings people together in our common cultural traits and admiration for our differences. The session will bring interested researchers together to collaborate in the diverse projects. &#13;
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                  <text>Roberto Junco&#13;
INAH Mexico, Mexico</text>
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                <text>Session 13 Introduction Video </text>
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                <text>Roberto Junco introduces Session 13.</text>
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                <text>The Museum of Underwater Archaeology</text>
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                  <text>2017 Session 4: Ensuring a Sustainable Future for UCH: Museums and Public Engagement </text>
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                  <text>Cultural heritage derives its value from societal contexts, and so public engagement plays an important role in growing support for, and interest in heritage. Engagement may take many forms, from awareness-raising to formal learning programmes to creating platforms for public participation in the process of heritage conservation, governance, and/or interpretation. Papers bridging theoretical and practical approaches to engagement with UCH are particularly welcome, as are papers which offer collaborative and/or participatory models, stakeholder engagement, capacity-building and development, approaches to the particular challenges of engagement with underwater cultural heritage vs other kinds of cultural heritage.&#13;
&#13;
Of course heritage exists in a variety of cultural frameworks, and ensuring sustainability requires approaches to engagement to be both responsive and sensitive to the overlapping cultural contexts in which UCH may exist. As a culturally diverse region, the treatment of heritage must be also tailored to cultural definitions, heritage management frameworks and conventions which may, in some cases, differ across jurisdictions/countries and their interests. The panel will also attempt to explore the ways in which UCH is managed within diverse cultural frameworks, and invites papers to examine topics including contested UCH, ownership, security, etc.&#13;
&#13;
The panel invites papers exploring significance within local, national and transnational historiographies and the implications for funding and management of UCH. UCH includes material that has been deposited on the seabed as a result of warfare and catastrophe, so papers which explore and/or engage with topics including loss, warfare, conflicted significance and contested heritage are particularly welcome.&#13;
&#13;
Other relevant sub-themes include:&#13;
&#13;
* Public engagement in the management of UCH&#13;
&#13;
* Interpreting maritime cultural heritage for non-specialist audiences&#13;
&#13;
* Significance, interpretative potential, stakeholders and support/sustainability&#13;
&#13;
* Museums, Education, Outreach and Conservation&#13;
&#13;
* Memory, memorials and memorialisation</text>
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                  <text>Raphael Igombo&#13;
National Museums of Kenya, Kenya</text>
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Monmouth College (IL), USA</text>
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                <text>Dr. Michelle Damian introduces Session 4.</text>
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                <text>The Museum of Underwater Archaeology</text>
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                  <text>2017 Session 8: Management of Underwater Cultural Heritage Sites and Conservation of Wet Archaeological Materials</text>
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                  <text>This session will focus on in-situ preservation and conservation management issues, conservation analyses and treatments, and applied conservation research of archaeological materials from underwater cultural heritage sites. The main purpose of this session is to encourage the exchange of ideas and practices as well as to encourage the development of conservation networks throughout the Asia-Pacific region. Presentations, posters and workshops are invited that address any of the following areas: &lt;br /&gt;&lt;br /&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;In situ preservation of underwater cultural heritage sites, including reburial practices&lt;/li&gt;&#13;
&lt;li&gt;Conservation management of underwater cultural heritage sites, including on-site monitoring&lt;/li&gt;&#13;
&lt;li&gt;Conservation treatment case studies&lt;/li&gt;&#13;
&lt;li&gt;Research into the analysis and treatment of wet archaeological materials&lt;/li&gt;&#13;
&lt;li&gt;Review of the status of wet archaeological conservation programs in the Asia Pacific region&lt;/li&gt;&#13;
&lt;li&gt;Development of collaborative conservation research and treatment programs&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
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                  <text>Vicki Richards&#13;
PhD candidate, University of WA</text>
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                  <text>Jon Carpenter&#13;
Western Australian Museum, Australia</text>
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                  <text>Mi Young Cha&#13;
National Research Institute of Maritime Cultural Heritage&#13;
Republic of Korea</text>
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                <text>Session 8 Video Introduction</text>
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                <text>Vicki Richards, Jon Carpenter, and Mi Young Cha introduce the papers in Session 8.</text>
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                <text>The Museum of Underwater Archaeology</text>
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                <text>11/29/2017</text>
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                <text>The Museum of Underwater Archaeology</text>
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                  <text>2017 Session 1: Underwater and Maritime Archaeology and Capacity  Building in the Pacific Islands</text>
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                  <text>The Pacific Ocean contains a wealth of underwater cultural heritage (UCH) spanning human history from the Stone Age to the atomic age.  Since the first Pacific UCH Workshop held in Solomon Islands in 2009, the Pacific island nations have been progressing in the implementation of the Pacific UCH Programme by awareness raising, research and capacity building activities through inter-disciplinary cooperation and promoting synergy with the Pacific World Heritage and Intangible Cultural Heritage Programmes. Notable progresses include, among others, the SIDS Accelerated Modalities of Action (SAMOA) Outcome Document of the 3rd UN International Cooperation on Small Island Developing States (SIDS) (Samoa, 2014) that contains references to the importance of UCH for sustainable development of SIDS and SIDS ratification of the UNESCO Convention for the Protection of the Underwater Cultural Heritage (2001), as well as the enhanced cooperation between universities in the Pacific islands and professional training institutions through UNESCO University Twinning and Networking Programme (UNITWIN) for Underwater Archaeology. &#13;
&#13;
With this as its background, the session â€œUnderwater and maritime archaeology and capacity building in the Pacific Islandsâ€ will be held with the aims to: i) share information on recent progress in awareness raising, research and capacity building activities in underwater and maritime archaeology in the Pacific Islands, ii) identify priority actions, iii) foster partnership for regional and international cooperation.  The session especially welcomes presentations focusing on the protection and management of UCH belonging to indigenous community shared UCH in the Pacific, addressing challenges and opportunities facing Pacific SIDS in the implementation of the Pacific UCH Programme and the promotion of the UCH Convention, presenting good practice in ensuring the effective engagement of Pacific island countries and community in UCH management for their sustainable development, and proposing collaborative projects in this area.&#13;
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                  <text>Akatsuki Takahashi&#13;
UNESCO Office for the Pacific States, Samoa</text>
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                  <text>Andrew Viduka, Maritime and Commonwealth Heritage, Australian Government,</text>
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                  <text>Nicolas Bigourdan, Western Australian Museum</text>
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Dr. Bill Jeffery APCONF Committee Chair and Hong Kong Maritime Museum Director&#13;
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Dr Le Thi Lien-Senior Researcher at the Institute of Archaeology in Vietnam (VASS)&#13;
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Dr. Robert Underwood-President, University of Guam</text>
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    A Highway and a Crossroads: Voyaging, Colonisation and Cross-Cultural Contacts in Asia-Pacific&#13;
    Maritime Cultural Landscapes and Seascapes: Interdisciplinary Approaches&#13;
    UCH in Asia-Pacific: Regional Studies and Projects  &#13;
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    Nautical Technology in Asia-Pacific&#13;
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Dr Le Thi Lien-Senior Researcher at the Institute of Archaeology in Vietnam (VASS)&#13;
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    A Highway and a Crossroads: Voyaging, Colonisation and Cross-Cultural Contacts in Asia-Pacific&#13;
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Dr Le Thi Lien-Senior Researcher at the Institute of Archaeology in Vietnam (VASS)&#13;
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                <text>Dr. Le Thi Lien is senior researcher at the Institute of Archaeology (VASS). Her studies focused on Oc Eo culture in southern Vietnam, early cultural exchanges and interaction with Southeast Asia, India and China, and archaeology of the naval battle fields. Results of her research have been presented in several international conferences of the IPPA, the EurAsia, the SPAFA, and UNESCO â€¦ Her publications include a book on â€œNghá»‡ thuáº­t Pháº­t giÃ¡p vÃ  Hindu giÃ¡o á»Ÿ Äá»“ng báº±ng sÃ´ng Cá»­u long trÆ°á»›c tháº¿ ká»‰ 10 [Buddhist and Hindu art in the Cuu Long River Delta prior to 10th century AD]â€ (2006), Editing book: â€œDi sáº£n Lá»‹ch sá»­ vÃ  nhá»¯ng hÆ°á»›ng tiáº¿p cáº­n má»›i  [Historical Heritages and New Perspective]â€ (2011); and more than 80 chapters and papers in Vietnamese and English.</text>
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                <text>The Museum of Underwater Archaeology</text>
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                <text>11/29/2017</text>
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          <element elementId="47">
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                <text>The Museum of Underwater Archaeology</text>
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        <name>Asia-Pac Keynote 2017</name>
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                  <text>2017 Session 1: Underwater and Maritime Archaeology and Capacity  Building in the Pacific Islands</text>
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                  <text>The Pacific Ocean contains a wealth of underwater cultural heritage (UCH) spanning human history from the Stone Age to the atomic age.  Since the first Pacific UCH Workshop held in Solomon Islands in 2009, the Pacific island nations have been progressing in the implementation of the Pacific UCH Programme by awareness raising, research and capacity building activities through inter-disciplinary cooperation and promoting synergy with the Pacific World Heritage and Intangible Cultural Heritage Programmes. Notable progresses include, among others, the SIDS Accelerated Modalities of Action (SAMOA) Outcome Document of the 3rd UN International Cooperation on Small Island Developing States (SIDS) (Samoa, 2014) that contains references to the importance of UCH for sustainable development of SIDS and SIDS ratification of the UNESCO Convention for the Protection of the Underwater Cultural Heritage (2001), as well as the enhanced cooperation between universities in the Pacific islands and professional training institutions through UNESCO University Twinning and Networking Programme (UNITWIN) for Underwater Archaeology. &#13;
&#13;
With this as its background, the session â€œUnderwater and maritime archaeology and capacity building in the Pacific Islandsâ€ will be held with the aims to: i) share information on recent progress in awareness raising, research and capacity building activities in underwater and maritime archaeology in the Pacific Islands, ii) identify priority actions, iii) foster partnership for regional and international cooperation.  The session especially welcomes presentations focusing on the protection and management of UCH belonging to indigenous community shared UCH in the Pacific, addressing challenges and opportunities facing Pacific SIDS in the implementation of the Pacific UCH Programme and the promotion of the UCH Convention, presenting good practice in ensuring the effective engagement of Pacific island countries and community in UCH management for their sustainable development, and proposing collaborative projects in this area.&#13;
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                  <text>Akatsuki Takahashi&#13;
UNESCO Office for the Pacific States, Samoa</text>
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                  <text>Andrew Viduka, Maritime and Commonwealth Heritage, Australian Government,</text>
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                  <text>Nicolas Bigourdan, Western Australian Museum</text>
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                <text>Trade in Ceramics on Guam in the Wake of the Manila Galleon </text>
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            <description>An account of the resource</description>
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                <text>Various colonial factors led to the Mariana Islands being one of the most economically isolated areas of the Pacific from the late 17th century until the late 18th century.  This isolation is reflected in the dearth of artifacts of European and Asian origin in the archaeological record.  Starting in the late 18th century rules on public trade were relaxed and outside goods became more readily available in the Marianas, if still uncommon. This paper considers the ceramic collection from the Rosario House located in Hagatna, Guam. The Rosario House has the largest data set of imported Euro-American and Asian historical artifacts that has been discovered in the Mariana Islands to date.   The collection is dominated by Provincial Chinese porcelains and stonewares but also includes a sample of refined European earthenwares. </text>
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                <text>Lon E. Bulgrin </text>
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            <elementTextContainer>
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                <text>The Museum of Underwater Archaeology</text>
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                <text>11/24/2017</text>
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          <element elementId="47">
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            <elementTextContainer>
              <elementText elementTextId="23251">
                <text>Lon E. Bulgrin </text>
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        <name>Asia-Pac Session 1 2017</name>
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                  <text>2017 Session 8: Management of Underwater Cultural Heritage Sites and Conservation of Wet Archaeological Materials</text>
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                  <text>This session will focus on in-situ preservation and conservation management issues, conservation analyses and treatments, and applied conservation research of archaeological materials from underwater cultural heritage sites. The main purpose of this session is to encourage the exchange of ideas and practices as well as to encourage the development of conservation networks throughout the Asia-Pacific region. Presentations, posters and workshops are invited that address any of the following areas: &lt;br /&gt;&lt;br /&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;In situ preservation of underwater cultural heritage sites, including reburial practices&lt;/li&gt;&#13;
&lt;li&gt;Conservation management of underwater cultural heritage sites, including on-site monitoring&lt;/li&gt;&#13;
&lt;li&gt;Conservation treatment case studies&lt;/li&gt;&#13;
&lt;li&gt;Research into the analysis and treatment of wet archaeological materials&lt;/li&gt;&#13;
&lt;li&gt;Review of the status of wet archaeological conservation programs in the Asia Pacific region&lt;/li&gt;&#13;
&lt;li&gt;Development of collaborative conservation research and treatment programs&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
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              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="22943">
                  <text>Vicki Richards&#13;
PhD candidate, University of WA</text>
                </elementText>
                <elementText elementTextId="22944">
                  <text>Jon Carpenter&#13;
Western Australian Museum, Australia</text>
                </elementText>
                <elementText elementTextId="22945">
                  <text>Mi Young Cha&#13;
National Research Institute of Maritime Cultural Heritage&#13;
Republic of Korea</text>
                </elementText>
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                <text>Conservation of Artefacts from the Pearl Shell Fleet Mothership - Sanyo Maru 1937 </text>
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            <description>An account of the resource</description>
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                <text>During November 2016 an expedition to the Arafura Sea, led by Maritime Archaeologist David Steinberg (Heritage Branch, Department of Tourism and Culture, Northern Territory, Australia) recovered a number of artefacts from the wreck of the Sanyo Maru a mothership for the Japanese pearl shell fleet. After 78 years underwater the steel-built vessel, resting upright, still retained substantial structural integrity. The dive team investigated the stern-half of the ship penetrating the main deck house via original accessways. The steel-framed structure still enclosed the space but the intervening plating was mostly absent due to corrosion. Cabin walls were also missing. Despite the relatively open environment a surprising number and type of artefacts remained in a good state of preservation, particularly ceramic items and glass bottles (two sealed with original contents). In terms of organic materials two perfectly intact lacquerware bowls and a quantity of chopsticks were recovered. Metal objects recovered vary in condition the extent of corrosion mainly a consequence of galvanic reactions. This paper explains the preparations to manage the artefact materials from the conservation perspective, photographic recording, cleaning and packing in the field situation and laboratory conservation treatments. </text>
              </elementText>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23242">
                <text>Jon Carpenter</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="23243">
                <text>The Museum of Underwater Archaeology</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23244">
                <text>11/24/2017</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23245">
                <text>Jon Carpenter</text>
              </elementText>
            </elementTextContainer>
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        <name>Asia-Pac Session 8 2017</name>
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                  <text>2017 Session 7: Underwater Cultural Heritage Politics, Laws, Ethics and Values</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="22940">
                  <text>All cultural materials are potentially cultural resources. However, because not all of them can be preserved or studied, choices must be made based on evaluation and re-evaluation. Values are learned and depend on cultural, intellectual, historical, and psychological frames of reference. Consequently, valuation is made individually, but is shared by communities. Valuation of underwater cultural heritage has, then, a broad range of determining value depending on the community to which it belongs.&#13;
&#13;
A clear example of this is the protection of human remains. The 2001 UNESCO Convention includes, in its definition of underwater cultural heritage, human remains which have been underwater for more than 100 years. However, the Christian philosophy on the treatment of human remains is different to that of Asian philosophy that teaches that human remains will never become underwater cultural heritage since, if they are seen by someone in an underwater site, it is imperative to rescue the human remains and bury them on land according to their beliefs. &#13;
&#13;
This session aims to create a forum for policymakers, managers, and archaeologists devoted to underwater cultural heritage where they can share their experiences of and research on the valuation of underwater cultural heritage. We aim to accept papers that help us to understand the definition of â€˜underwater cultural heritageâ€™ in the Asia-Pacific regions, comparing those definitions with the definition of the 2001 UNESCO Convention and trying to find a common interpretation. We will also be looking to examine the meaning of the underwater cultural heritage sites and objects for different communities. Finally, we will be expecting papers exploring the different possibilities of the use and/or conservation of this underwater cultural heritage according to the values and needs of the different communities. &#13;
</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="22941">
                  <text>Elena Perez-Alvaro&#13;
Licit Cultural Heritage Ltd., UK</text>
                </elementText>
              </elementTextContainer>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23234">
                <text>The elaboration of the UNESCO 2001 Convention on the Protection of the Underwater Cultural Heritage </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23235">
                <text>The UNESCO Convention on the Protection of the Underwater Cultural Heritage was adopted in 2001. Like many such treaties, its text is the result of a compromise between opposing views. The negotiations leading to this instruments started in the Eighties at the initiative of underwater archaeologists who teamed up with lawyers and with the International Law Association. These pioneers considered that the United Nations Convention on the Law of the Sea (UNCLOS) did not protect adequately the underwater cultural heritage. But many States Parties to the UNCLOS were reluctant to re-open any kind of negotiation that might affect the delicate balance of the UNCLOS.  Moreover, the industry of salvage was also extremely reluctant to any new international legislation that may affect their activities, especially in the high seas. The process of preparation of an international legal instrument was suspended several times. It was finally put on tracks thanks to the pugnacity of a few UNESCO staff and ICOMOS members supported by Ministries of a Foreign Affairs of several countries wo convinced the UNESCO General Conference to enter the process of elaboration of a Convention. During the negotiation of the text, the views expressed by the delegations of UNESCO Member states were often antagonistic. In the discussions, the ICOMOS Committee on Underwater Cultural Heritage (ICUCH) played a major role, by sensitizing the diplomats to the urgency of adopting a legal instrument at a time when technology had made possible to explore practically all ancient vessels lying on the seabed. The author has participated in some key steps of the elaboration of the Convention and will present some of the legal and ethical positions expressed at the negotiations and that have led to the compromise adopted in 2001. </text>
              </elementText>
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          <element elementId="39">
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            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23236">
                <text>Etienne ClÃ©ment </text>
              </elementText>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="23237">
                <text>The Museum of Underwater Archaeology</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
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                <text>11/24/2017</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23239">
                <text>Etienne ClÃ©ment </text>
              </elementText>
            </elementTextContainer>
          </element>
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        <name>Asia-Pac Session 7 2017</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="22913">
                  <text>2017 Session 7: Underwater Cultural Heritage Politics, Laws, Ethics and Values</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="22940">
                  <text>All cultural materials are potentially cultural resources. However, because not all of them can be preserved or studied, choices must be made based on evaluation and re-evaluation. Values are learned and depend on cultural, intellectual, historical, and psychological frames of reference. Consequently, valuation is made individually, but is shared by communities. Valuation of underwater cultural heritage has, then, a broad range of determining value depending on the community to which it belongs.&#13;
&#13;
A clear example of this is the protection of human remains. The 2001 UNESCO Convention includes, in its definition of underwater cultural heritage, human remains which have been underwater for more than 100 years. However, the Christian philosophy on the treatment of human remains is different to that of Asian philosophy that teaches that human remains will never become underwater cultural heritage since, if they are seen by someone in an underwater site, it is imperative to rescue the human remains and bury them on land according to their beliefs. &#13;
&#13;
This session aims to create a forum for policymakers, managers, and archaeologists devoted to underwater cultural heritage where they can share their experiences of and research on the valuation of underwater cultural heritage. We aim to accept papers that help us to understand the definition of â€˜underwater cultural heritageâ€™ in the Asia-Pacific regions, comparing those definitions with the definition of the 2001 UNESCO Convention and trying to find a common interpretation. We will also be looking to examine the meaning of the underwater cultural heritage sites and objects for different communities. Finally, we will be expecting papers exploring the different possibilities of the use and/or conservation of this underwater cultural heritage according to the values and needs of the different communities. &#13;
</text>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="22941">
                  <text>Elena Perez-Alvaro&#13;
Licit Cultural Heritage Ltd., UK</text>
                </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="23224">
                <text>Preservation of Underwater Cultural Heritage in Taiwan: Legislation and Challenges </text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23225">
                <text>The Convention on the Protection of the Underwater Cultural Heritage was adopted in 2001 by the United Nations Educational, Scientific and Cultural Organization (UNESCO).  The convention acknowledges the importance of underwater cultural heritage as an integral part of the cultural heritage of humanity and a particularly important element in the history of peoples, nations, and their relations with each other concerning their common heritage.  The responsibility of protecting and preserving the underwater cultural heritage therefore rests with all States (UNESCO, 2017.).  By echoing the spirit of the above convention, the Legislative Yuan (Parliament) of Taiwan adopted the Underwater Cultural Heritage Preservation Act on November 24, 2015.  The Act was promulgated by the President and was also put into force on 9 December 2015.  The Law is in seven chapters with 44 articles.  The chapters cover general provisions, attributed rights and international cooperation, activities involving underwater cultural heritage, in-situ preservation of underwater cultural heritage, excavation management in the sea, public education &#13;
                                                          &#13;
and professional training, penalties, and supplementary provisions.  This paper introduces the recent research projects of underwater cultural heritage in Taiwan, illustrates the enactment process of the new law and highlights its main features.  The paper concludes that it is essential to have further integration of management affairs, establishing national research institute, strengthening the international cooperation and the professional training, implementing related bylaws and mechanisms, and promoting public awareness, which also become daunting challenges faced by Taiwan as it marches toward the protection of its precious underwater cultural heritage.</text>
              </elementText>
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                  <text>2017 Session 7: Underwater Cultural Heritage Politics, Laws, Ethics and Values</text>
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                  <text>All cultural materials are potentially cultural resources. However, because not all of them can be preserved or studied, choices must be made based on evaluation and re-evaluation. Values are learned and depend on cultural, intellectual, historical, and psychological frames of reference. Consequently, valuation is made individually, but is shared by communities. Valuation of underwater cultural heritage has, then, a broad range of determining value depending on the community to which it belongs.&#13;
&#13;
A clear example of this is the protection of human remains. The 2001 UNESCO Convention includes, in its definition of underwater cultural heritage, human remains which have been underwater for more than 100 years. However, the Christian philosophy on the treatment of human remains is different to that of Asian philosophy that teaches that human remains will never become underwater cultural heritage since, if they are seen by someone in an underwater site, it is imperative to rescue the human remains and bury them on land according to their beliefs. &#13;
&#13;
This session aims to create a forum for policymakers, managers, and archaeologists devoted to underwater cultural heritage where they can share their experiences of and research on the valuation of underwater cultural heritage. We aim to accept papers that help us to understand the definition of â€˜underwater cultural heritageâ€™ in the Asia-Pacific regions, comparing those definitions with the definition of the 2001 UNESCO Convention and trying to find a common interpretation. We will also be looking to examine the meaning of the underwater cultural heritage sites and objects for different communities. Finally, we will be expecting papers exploring the different possibilities of the use and/or conservation of this underwater cultural heritage according to the values and needs of the different communities. &#13;
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Licit Cultural Heritage Ltd., UK</text>
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                <text>The ethics behind climate change: Small Island Developing States in the Pacific as new underwater cultural heritage </text>
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                <text>Predictions forecast changes in climate that may affect underwater cultural heritage in the future. Warmer waters mean more chemical changes and the proliferation of teredo navalis. Ocean currents may cause disturbances to the layer of sediment protecting underwater cultural heritage sites. The rises in sea levels would reduce the amount of time an air-breathing diver can safely spend under water and hence their productivity. Rises would also mean expansion, which could raise the problem of ocean delimitation. Also our land tangible cultural heritage will be submerged: entire nations and their cultural heritage may disappear, an issue affecting mostly the Small Island Developing States -many of them in the Pacific-, more vulnerable to rises in sea levels. Their identity as citizens of their cities, as members of a community with their own tangible past, complete with their cultural heritage, will disappear. Their land heritage will become underwater cultural heritage but for more than 100 years will not be protected under the 2001 UNESCO Convention.  This paper will look at climate change in these Asia-Pacific communities from the ethics as a core element and will study the introduction of these flooded areas as new underwater cultural heritage, proposing an AsiaPacific values-orientated qualification of underwater cultural heritage as a natural resource.</text>
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                <text>Elena Perez-Alvaro </text>
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                <text>The Museum of Underwater Archaeology</text>
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                <text>Elena Perez-Alvaro </text>
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                  <text>East Asia is extremely rich in underwater cultural heritage, such as conventional shipwrecks under the sea, submerged settlement sites on the bottoms of inland lakes and rivers, or prehistoric shell mounds along coastal zones.  For instance, the medieval or post-medieval aged wrecks and their cargos have recently been discovered one after another in the waters, or the underwater cultural heritage or seascape of stone tidal weir is a common cultural trait to the Ryukyu archipelago, western Japan, southern Korea, mainland China, and Formosa, which surround the East China Sea or a northern part of the Asian Mediterranean. No East Asian nation has ratified the UNESCO 2001 Convention, partly because it does not exactly correspond with oriental philosophy, it does not properly resolve the controversial issues upon sovereign immunity of warship wrecks, and so forth.  Occasionally, the principle of preservation in situ in the convention has not been the first choice as Asian waters have poor water clarity generally.  &#13;
&#13;
Nevertheless, each country has already moved forward with its own underwater archaeological policies and projects both on governmental and grassroots levels.  Some activities are in close cooperation with foreign institutions or universities.  In East Asia, document-based historical study or terrestrial archaeology has a long tradition, which has had a noteworthy impact upon underwater archaeology and its methodology.  Even in this region as well as in other Pacific areas, contrariwise, the technological advancement in underwater survey has remarkably been made recently; using remote-sensing with satellites, robotics for ROVs or AUVs, or 3D photogrammetry by computer software mitigates or cancels the limitations regarding accessibility and working time caused by underwater environment.  The tie between such modern technologies and archaeology has minted new applications and perspectives of underwater cultural heritage study.  The multi-disciplinary or holistic approaches are increasingly more and more necessary among Asian researchers.  &#13;
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                  <text>Akifumi Iwabuchi&#13;
Tokyo University of Marine Science and Technology, Japan    </text>
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                  <text>Kotaro Yamafune                                   &#13;
APPARATUS, LLC, Japan   </text>
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                <text>In the past seven years, photogrammetry has become one of the main recording methods in maritime and underwater archaeology. The application of photogrammetry allows archaeologists to re-create underwater cultural heritage sites in 3D digital formats, and extract from these 3D digital models data and information required for subsequent scholarly research. The author has been using photogrammetry since 2014 and has successfully created nearly 40 underwater cultural heritage models on more than 10 archaeological projects. The projects have ranged in size, accessibility, and water clarity, introducing a number of variables to the photogrammetry of the artifacts. The variety of experiences gained on these projects have enabled the author to construct his own methodology and workflow for photogrammetric recording. In this paper, the author shares examples of his methodology and workflow for photogrammetric recording of various projects in different countries.   </text>
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                <text>Kotaro Yamafune </text>
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                <text>Kotaro Yamafune </text>
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                  <text>East Asia is extremely rich in underwater cultural heritage, such as conventional shipwrecks under the sea, submerged settlement sites on the bottoms of inland lakes and rivers, or prehistoric shell mounds along coastal zones.  For instance, the medieval or post-medieval aged wrecks and their cargos have recently been discovered one after another in the waters, or the underwater cultural heritage or seascape of stone tidal weir is a common cultural trait to the Ryukyu archipelago, western Japan, southern Korea, mainland China, and Formosa, which surround the East China Sea or a northern part of the Asian Mediterranean. No East Asian nation has ratified the UNESCO 2001 Convention, partly because it does not exactly correspond with oriental philosophy, it does not properly resolve the controversial issues upon sovereign immunity of warship wrecks, and so forth.  Occasionally, the principle of preservation in situ in the convention has not been the first choice as Asian waters have poor water clarity generally.  &#13;
&#13;
Nevertheless, each country has already moved forward with its own underwater archaeological policies and projects both on governmental and grassroots levels.  Some activities are in close cooperation with foreign institutions or universities.  In East Asia, document-based historical study or terrestrial archaeology has a long tradition, which has had a noteworthy impact upon underwater archaeology and its methodology.  Even in this region as well as in other Pacific areas, contrariwise, the technological advancement in underwater survey has remarkably been made recently; using remote-sensing with satellites, robotics for ROVs or AUVs, or 3D photogrammetry by computer software mitigates or cancels the limitations regarding accessibility and working time caused by underwater environment.  The tie between such modern technologies and archaeology has minted new applications and perspectives of underwater cultural heritage study.  The multi-disciplinary or holistic approaches are increasingly more and more necessary among Asian researchers.  &#13;
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Tokyo University of Marine Science and Technology, Japan    </text>
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                  <text>Kotaro Yamafune                                   &#13;
APPARATUS, LLC, Japan   </text>
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                <text>Seamanship and Navigation: Seafarers on Board Daily Skills in Chinese Junk </text>
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                <text>Chinese sailing traditions changed a little through time; sailors inherited their onboard skills, expertise, and experience by orally imparting others with physical instruction. But these daily skills were rarely recorded or studied in the past. For seafarers, how to operate and maneuver a Chinese junk was their daily work; and apart from sparse historical documents such as Phing-Chou Kho Than (Yu, 1117), Shi Liu-Qiu Lu (Xiao and Xia, 1580) (Fig. 1), and preliminarily observations by G.R.G. Worcester, Joseph Needham, Thomas Hoppe, and others, seamanship and navigation were kept in the minds of surviving successions of living sailors. In 2004, the author had an opportunity to sail on a nearly 100 year old Jin Hua Xin as an apprentice sailor for her last voyage. Several months of onboard experiences provided a rare field investigation to approach the complex mechanism of crew, their organization and their daily work. This experience led the authors to raise a marine ethnographic field investigation project along Fujian coast. Experimental archaeology creates effective scenes for realistic performance of past systems. A small full-size replica LanTay II was built for a series of archaeological voyages; the data gathered from the traces of past sailing routes will verify and add some knowledge for understanding the real daily work of Chinese seafarers onboard. In this paper, the authors shall present combined researches on historical documents, past observations with lively oral materials achieved by marine ethnographic field investigation on traditional sailing ports along South Fujian coast; throughout this research, the authors approach the knowledge about seafarers onboard daily skills and try to present the research about the sailors methods to maneuver the junk and its navigation system by means of a combination of instinct, eyesight, memory, and skill.</text>
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                <text>Yu Long Fa </text>
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                  <text>East Asia is extremely rich in underwater cultural heritage, such as conventional shipwrecks under the sea, submerged settlement sites on the bottoms of inland lakes and rivers, or prehistoric shell mounds along coastal zones.  For instance, the medieval or post-medieval aged wrecks and their cargos have recently been discovered one after another in the waters, or the underwater cultural heritage or seascape of stone tidal weir is a common cultural trait to the Ryukyu archipelago, western Japan, southern Korea, mainland China, and Formosa, which surround the East China Sea or a northern part of the Asian Mediterranean. No East Asian nation has ratified the UNESCO 2001 Convention, partly because it does not exactly correspond with oriental philosophy, it does not properly resolve the controversial issues upon sovereign immunity of warship wrecks, and so forth.  Occasionally, the principle of preservation in situ in the convention has not been the first choice as Asian waters have poor water clarity generally.  &#13;
&#13;
Nevertheless, each country has already moved forward with its own underwater archaeological policies and projects both on governmental and grassroots levels.  Some activities are in close cooperation with foreign institutions or universities.  In East Asia, document-based historical study or terrestrial archaeology has a long tradition, which has had a noteworthy impact upon underwater archaeology and its methodology.  Even in this region as well as in other Pacific areas, contrariwise, the technological advancement in underwater survey has remarkably been made recently; using remote-sensing with satellites, robotics for ROVs or AUVs, or 3D photogrammetry by computer software mitigates or cancels the limitations regarding accessibility and working time caused by underwater environment.  The tie between such modern technologies and archaeology has minted new applications and perspectives of underwater cultural heritage study.  The multi-disciplinary or holistic approaches are increasingly more and more necessary among Asian researchers.  &#13;
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Tokyo University of Marine Science and Technology, Japan    </text>
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                  <text>Kotaro Yamafune                                   &#13;
APPARATUS, LLC, Japan   </text>
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                <text>Uraga Port at the southern end of the Miura Peninsula, located at the entrance of Tokyo Bay, is formed as a deep cove from the Pacific Ocean; it is less susceptible to weather conditions and is suitable for the natural environment. In the 16th and 17th centuries, Japan opened three international trade ports. Holland and England is Hirado, Portugal is Nagasaki, Spain is Uraga. Ieyasu Tokugawa begins dispatching shipbuilding engineers and miners from Spain and as a result of negotiating with the Philippine Governor General, the Spaniards of Manila visited Uraga Port every year since 1604 and the Franciscan Monastery in the town was built. Ieyasu Tokugawa also sent British William Adams to Manila and negotiated to continue dealing with Spain However, contrary to the intention of Ieyasu Tokugawa, Spain did not convey shipbuilding technology and mining technology. In 1611, Mexican envoy SebastiÃ¡n VizcaÃ­no came to Uraga, but only the east coast of Japan was investigated. At the beginning of the Edo period Christianity was forbidden in 1613. Just before the death of Ieyasu Tokugawa, Diego de Santa Catalina came to Uraga, Ieyasu Tokugawa questioned Spain's attitude, banished him to Spain, and the transaction with Spain was completely completed. Japan took an isolation policy and only Uraga Port quietly disappeared as a trade port. </text>
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                  <text>East Asia is extremely rich in underwater cultural heritage, such as conventional shipwrecks under the sea, submerged settlement sites on the bottoms of inland lakes and rivers, or prehistoric shell mounds along coastal zones.  For instance, the medieval or post-medieval aged wrecks and their cargos have recently been discovered one after another in the waters, or the underwater cultural heritage or seascape of stone tidal weir is a common cultural trait to the Ryukyu archipelago, western Japan, southern Korea, mainland China, and Formosa, which surround the East China Sea or a northern part of the Asian Mediterranean. No East Asian nation has ratified the UNESCO 2001 Convention, partly because it does not exactly correspond with oriental philosophy, it does not properly resolve the controversial issues upon sovereign immunity of warship wrecks, and so forth.  Occasionally, the principle of preservation in situ in the convention has not been the first choice as Asian waters have poor water clarity generally.  &#13;
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Tokyo University of Marine Science and Technology, Japan    </text>
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                  <text>Kotaro Yamafune                                   &#13;
APPARATUS, LLC, Japan   </text>
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                <text>Seaways, especially monsoonal ones, allow movement on two directions. However Eurocentric approaches have tended to create hierarchies of cultures which have biased movements in particular directions to the historical exclusion of some narratives. This is a fresh look at a cultural connection from a perspective that has evaded investigation and seeks to balance the research on Chinese interactions with Africans in Africa. Africans have been trading with Asia for hundreds of years, yet their history and presence in East Asia has been barely suggested or investigated. The role of African crewmen is an important part of this narrative and one that brings a new dimension (if not challenges) to ethnographic studies of maritime cultural landscapes and seascapes. </text>
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                <text>Clifford Pereira </text>
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                <text>The Museum of Underwater Archaeology</text>
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                  <text>East Asia is extremely rich in underwater cultural heritage, such as conventional shipwrecks under the sea, submerged settlement sites on the bottoms of inland lakes and rivers, or prehistoric shell mounds along coastal zones.  For instance, the medieval or post-medieval aged wrecks and their cargos have recently been discovered one after another in the waters, or the underwater cultural heritage or seascape of stone tidal weir is a common cultural trait to the Ryukyu archipelago, western Japan, southern Korea, mainland China, and Formosa, which surround the East China Sea or a northern part of the Asian Mediterranean. No East Asian nation has ratified the UNESCO 2001 Convention, partly because it does not exactly correspond with oriental philosophy, it does not properly resolve the controversial issues upon sovereign immunity of warship wrecks, and so forth.  Occasionally, the principle of preservation in situ in the convention has not been the first choice as Asian waters have poor water clarity generally.  &#13;
&#13;
Nevertheless, each country has already moved forward with its own underwater archaeological policies and projects both on governmental and grassroots levels.  Some activities are in close cooperation with foreign institutions or universities.  In East Asia, document-based historical study or terrestrial archaeology has a long tradition, which has had a noteworthy impact upon underwater archaeology and its methodology.  Even in this region as well as in other Pacific areas, contrariwise, the technological advancement in underwater survey has remarkably been made recently; using remote-sensing with satellites, robotics for ROVs or AUVs, or 3D photogrammetry by computer software mitigates or cancels the limitations regarding accessibility and working time caused by underwater environment.  The tie between such modern technologies and archaeology has minted new applications and perspectives of underwater cultural heritage study.  The multi-disciplinary or holistic approaches are increasingly more and more necessary among Asian researchers.  &#13;
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                  <text>Akifumi Iwabuchi&#13;
Tokyo University of Marine Science and Technology, Japan    </text>
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                  <text>Kotaro Yamafune                                   &#13;
APPARATUS, LLC, Japan   </text>
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                <text>Legal Status of Sunken State Vessels and Sovereign Immunity </text>
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                <text>The entry into force in 2009 of the UNESCO Convention on the Protection of Underwater Cultural Heritage (hereinafter referred to as â€˜UCH Conventionâ€™) adopted in 2001 could be regarded as a welcome development to elaborate or clarify any ambiguity of only two marginal provisions as Article 149 and 303 with regard to underwater cultural heritage in United Nations Convention on the Law of the Sea in 1982 (hereinafter referred to as â€˜UNCLOSâ€™). Some texts of the UCH Convention, however, give controversy in fact to the comprehensive international order of the seas in relation to the other provisions of UNCLOS and customary international law, e.g., the definition of underwater cultural heritage, the â€˜creepingâ€™ expansion of coastal statesâ€™ jurisdiction especially in the EEZ and on the continental shelf, and the sovereign immunity of sunken state vessels [The paper primarily follows to the terminology of the UCH Convention which uses â€˜state vesselsâ€™. It is defined as â€˜warships, and other vesselsâ€¦that were owned or operated by a State and used, at the time of sinking, only for government noncommercial purposesâ€™ in Article 1(8).] This presentation will especially focus on the issue of sovereign immunity of sunken state vessels amongst them. International law in relation to warships is complex and uncertain and the issue has high political sensitivity as Article 2(8) of the UCH Convention reflects such a circumstance. The purpose of the presentation, therefore, is to explore the legal status of sunken state vessels. It examines the related provisions and their drafting process of the UCH Convention, the legal status of warships which UNCLOS provides and in the rules of customary international law. It will also observe some cases including notable States practices.</text>
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                <text>KaÃ¨ Oyama </text>
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                  <text>East Asia is extremely rich in underwater cultural heritage, such as conventional shipwrecks under the sea, submerged settlement sites on the bottoms of inland lakes and rivers, or prehistoric shell mounds along coastal zones.  For instance, the medieval or post-medieval aged wrecks and their cargos have recently been discovered one after another in the waters, or the underwater cultural heritage or seascape of stone tidal weir is a common cultural trait to the Ryukyu archipelago, western Japan, southern Korea, mainland China, and Formosa, which surround the East China Sea or a northern part of the Asian Mediterranean. No East Asian nation has ratified the UNESCO 2001 Convention, partly because it does not exactly correspond with oriental philosophy, it does not properly resolve the controversial issues upon sovereign immunity of warship wrecks, and so forth.  Occasionally, the principle of preservation in situ in the convention has not been the first choice as Asian waters have poor water clarity generally.  &#13;
&#13;
Nevertheless, each country has already moved forward with its own underwater archaeological policies and projects both on governmental and grassroots levels.  Some activities are in close cooperation with foreign institutions or universities.  In East Asia, document-based historical study or terrestrial archaeology has a long tradition, which has had a noteworthy impact upon underwater archaeology and its methodology.  Even in this region as well as in other Pacific areas, contrariwise, the technological advancement in underwater survey has remarkably been made recently; using remote-sensing with satellites, robotics for ROVs or AUVs, or 3D photogrammetry by computer software mitigates or cancels the limitations regarding accessibility and working time caused by underwater environment.  The tie between such modern technologies and archaeology has minted new applications and perspectives of underwater cultural heritage study.  The multi-disciplinary or holistic approaches are increasingly more and more necessary among Asian researchers.  &#13;
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                  <text>Akifumi Iwabuchi&#13;
Tokyo University of Marine Science and Technology, Japan    </text>
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                  <text>Kotaro Yamafune                                   &#13;
APPARATUS, LLC, Japan   </text>
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                <text>The Iron Grapnel Supposed to Belong to the Sinan Shipwreck and Other Anchors in East Asia </text>
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                <text>In 2016 an iron grapnel was shown in some special exhibitions marking the 40th anniversary of the Sinan shipwreck excavation in Korea.  The grapnel 2.3m length has four arms, and it had been raised by a fishermanâ€™s net in 1972 before the wreck was discovered.  Around&#13;
 the Song Dynasty of China, stone anchor stocks composed of wooden shanks were generally used; their distributions ranged from the Primorsky region of Russia in the north to the south in Vietnam and the Philippines.  In Korea and in Japan, crude stone anchor stocks modelled after Chinese anchors were widely used at that time.  From the Takashima underwater site associated with the Mongolian invasion of Japan in the 13th century or during the early Yuan Dynasty, stone anchor stocks of separate type were frequently discovered.  After the Ming Dynasty, iron grapnels started to be used in large, but at the same time wooden anchors were also kept in use on different styles from region to region.  In Japan, iron four-armed grapnels were appeared in some art pictures after the Muromachi Period, and then during the Edo Period those grapnels became popular as the mainstream of Japanese anchors.  The iron four-armed grapnel, which is considered to have belonged to the Sinan shipwreck, seems to have equipped on a Japanese vessel dated from the Edo period to early modern times as its characters are found among Japanese grapnels. However, the possibility that it still belonged to the Sinan shipwreck could not be denied completely, because the actual origin of Japanese grapnels is unknown; Chinese manufacturing technology of grapnels, which is known for the time being, was different from Japanese one, but another technology, which would have an impact upon both Japanese and the Sinan shipwreckâ€™s grapnels, might have existed in China.   </text>
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                <text>Mitsuhiko Ogawa </text>
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                <text>The Museum of Underwater Archaeology</text>
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                <text>Mitsuhiko Ogawa </text>
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                  <text>East Asia is extremely rich in underwater cultural heritage, such as conventional shipwrecks under the sea, submerged settlement sites on the bottoms of inland lakes and rivers, or prehistoric shell mounds along coastal zones.  For instance, the medieval or post-medieval aged wrecks and their cargos have recently been discovered one after another in the waters, or the underwater cultural heritage or seascape of stone tidal weir is a common cultural trait to the Ryukyu archipelago, western Japan, southern Korea, mainland China, and Formosa, which surround the East China Sea or a northern part of the Asian Mediterranean. No East Asian nation has ratified the UNESCO 2001 Convention, partly because it does not exactly correspond with oriental philosophy, it does not properly resolve the controversial issues upon sovereign immunity of warship wrecks, and so forth.  Occasionally, the principle of preservation in situ in the convention has not been the first choice as Asian waters have poor water clarity generally.  &#13;
&#13;
Nevertheless, each country has already moved forward with its own underwater archaeological policies and projects both on governmental and grassroots levels.  Some activities are in close cooperation with foreign institutions or universities.  In East Asia, document-based historical study or terrestrial archaeology has a long tradition, which has had a noteworthy impact upon underwater archaeology and its methodology.  Even in this region as well as in other Pacific areas, contrariwise, the technological advancement in underwater survey has remarkably been made recently; using remote-sensing with satellites, robotics for ROVs or AUVs, or 3D photogrammetry by computer software mitigates or cancels the limitations regarding accessibility and working time caused by underwater environment.  The tie between such modern technologies and archaeology has minted new applications and perspectives of underwater cultural heritage study.  The multi-disciplinary or holistic approaches are increasingly more and more necessary among Asian researchers.  &#13;
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Tokyo University of Marine Science and Technology, Japan    </text>
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                  <text>Kotaro Yamafune                                   &#13;
APPARATUS, LLC, Japan   </text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Developing the Foundation for Sustainable Management of Underwater Cultural Heritage Starting from Local Involvement: Case Studies in Okinawa </text>
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            <name>Description</name>
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                <text>The Ryukyu Archipelago is well known for its beautiful ocean and coral reefs; and thanks to these beautiful oceans, scuba diving and snorkeling and have become one of the most important activities for its tourist industry of the archipelago. Around the islands, 230 underwater cultural heritage sites were found and identified. In this presentation, the authors shall introduce their attempts and case studies regarding the public engagement of local communities with management of underwater cultural heritage, including providing guidelines for sustainable valorization of the site with local marine sports industry. For Yarabuoki underwater site of Ishigaki Island, there are seven iron grapnel anchors and a cluster of Early Modern Ryukyuwan ceramic jars (tsuboya-yaki). To establish a connection/relationship between the site and the local professional divers, who actually go into the sea and see the site most frequently, the authors provided workshops about UCH and a place where &#13;
archaeologists and the local professional divers can exchange their opinions. The goal of these activities is to ask professional divers of local communities help to monitor UCH after scientific evaluations led by archaeologists are completed. The Ohajima underwater site is located off the Coast of Kume Island in Okinawa. This site contains a dense distribution of medieval Chinese pottery. Public open-houses were experimentally organized twice for local communities. The Board of education from local communities (for instance, Kumejima Museum) and local diving communities were heavily involved and helped underwater archaeologists and the research team to organize this event.&#13;
 After continuous attempts of public outreach, public awareness and interests for UCH among the local diving communities has increased. More divers have started visiting the sites. However, an increase in public awareness creates another concerns that it exposes the UCH sites into social media such as blogs by visitors, articles on diving magazines, and so on. Henceforth, the next challenge confronting the authors and the local communities regarding these sites are plans to properly monitor those sites and a proposal for a reliable long-term management plans. More importantly, these monitoring and management plans have to involve wide varieties and different type of local communities.</text>
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            <name>Creator</name>
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                <text>Yumiko Nakanishi</text>
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              <elementText elementTextId="23169">
                <text>Rintaro Ono</text>
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              <elementText elementTextId="23170">
                <text>Norimitsu Sakagami </text>
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              <elementText elementTextId="23171">
                <text>Hironobu Kan </text>
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              <elementText elementTextId="23172">
                <text>Chiaki </text>
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            <name>Publisher</name>
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                <text>The Museum of Underwater Archaeology</text>
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            <name>Date</name>
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              <elementText elementTextId="23174">
                <text>11/24/2017</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23175">
                <text>Yumiko Nakanishi</text>
              </elementText>
              <elementText elementTextId="23176">
                <text>Rintaro Ono</text>
              </elementText>
              <elementText elementTextId="23177">
                <text>Norimitsu Sakagami </text>
              </elementText>
              <elementText elementTextId="23178">
                <text>Hironobu Kan </text>
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              <elementText elementTextId="23179">
                <text>Chiaki </text>
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            </elementTextContainer>
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      <tag tagId="328">
        <name>Asia-Pac Session 6 2017</name>
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