<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="http://www.themua.org/collections/items/show/1837">
    <dcterms:title><![CDATA[PRIISMH project: A Case Study of Community Involvement and Museum Collaboration on Maritime Cultural Heritage around Rottnest Island (Perth, Western Australia)]]></dcterms:title>
    <dcterms:description><![CDATA[The Program for the Rottnest Island Interpretation of Shipwrecks and Maritime Heritage (PRIISMH) project is a community-based initiative conducted under the aegis of the Maritime Archaeology Association of Western Australia (MAAWA), in collaboration with the Western Australian Museum (WAM), the Rottnest Island Authority (RIA), Tempus Archaeology, and Shipwreck Data, with sponsorship provided by the Maritime Museums of Australia Project Support Scheme (MMAPSS 2016-2017) from the Australian National Maritime Museum. The main objective of the PRIISMH project was to enhance the presentation of Rottnest Island maritime cultural heritage through the use of new and innovative forms of interpretation involving terrestrial and underwater 3D Photogrammetry as a key element in for public engagement.<br />
<br />
Specifically, the project was initially developed to address issues identified in a recent condition report on the Rottnest Onshore Shipwreck Plaques (MAAWA, 2015), relating to existing interpretive signage on the island. As a consequence, MAAWA and RIA identified as a priority the need to update existing land-based shipwreck signage (currently over thirty years old) in order to address potential health and safety issues, to improve overall visitor experience, and to improve public accessibility to the Rottnest Island underwater shipwreck heritage.<br />
<br />
The project represents a new stage in an on-going long-term program of site documentation, management and interpretation within the broad Perth region, initiated by MAAWA in 2014 under the aegis of the Three-Dimensional (3D) Maritime Archaeology Project â€“ Perth Region (3DMAPRR, Edwards et al. 2016). The structure and nature of the project also allowed it to be connected to another MAAWA earlier initiative (2013), namely the â€˜Shipwrecks WAâ€™ website and app platform to expand the audience outreach.<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Nicolas Bigourdan]]></dcterms:creator>
    <dcterms:publisher><![CDATA[The Museum of Underwater Archaeology]]></dcterms:publisher>
    <dcterms:date><![CDATA[11/24/2017]]></dcterms:date>
    <dcterms:created><![CDATA[November 2017]]></dcterms:created>
    <dcterms:rights><![CDATA[Nicolas Bigourdan]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="http://www.themua.org/collections/items/show/1836">
    <dcterms:title><![CDATA[Session 13 Introduction Video ]]></dcterms:title>
    <dcterms:description><![CDATA[Roberto Junco introduces Session 13.]]></dcterms:description>
    <dcterms:publisher><![CDATA[The Museum of Underwater Archaeology]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="http://www.themua.org/collections/items/show/1835">
    <dcterms:title><![CDATA[Session 4 Introduction Video]]></dcterms:title>
    <dcterms:description><![CDATA[Dr. Michelle Damian introduces Session 4.]]></dcterms:description>
    <dcterms:publisher><![CDATA[The Museum of Underwater Archaeology]]></dcterms:publisher>
    <dcterms:date><![CDATA[11/28/2017]]></dcterms:date>
    <dcterms:rights><![CDATA[The Museum of Underwater Archaeology]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="http://www.themua.org/collections/items/show/1834">
    <dcterms:title><![CDATA[Session 8 Video Introduction]]></dcterms:title>
    <dcterms:description><![CDATA[Vicki Richards, Jon Carpenter, and Mi Young Cha introduce the papers in Session 8.]]></dcterms:description>
    <dcterms:publisher><![CDATA[The Museum of Underwater Archaeology]]></dcterms:publisher>
    <dcterms:date><![CDATA[11/29/2017]]></dcterms:date>
    <dcterms:rights><![CDATA[The Museum of Underwater Archaeology]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="http://www.themua.org/collections/items/show/1833">
    <dcterms:title><![CDATA[Session 1 Introduction Video]]></dcterms:title>
    <dcterms:description><![CDATA[Andrew Viduka introduces Session 1.]]></dcterms:description>
    <dcterms:creator><![CDATA[The Museum of Underwater Archaeology]]></dcterms:creator>
    <dcterms:publisher><![CDATA[The Museum of Underwater Archaeology]]></dcterms:publisher>
    <dcterms:date><![CDATA[11/29/2017]]></dcterms:date>
    <dcterms:rights><![CDATA[The Museum of Underwater Archaeology]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="http://www.themua.org/collections/items/show/1832">
    <dcterms:title><![CDATA[The Honorable Robert Underwood]]></dcterms:title>
    <dcterms:subject><![CDATA[Keynote Speaker speech and interview]]></dcterms:subject>
    <dcterms:description><![CDATA[The Honorable Robert Underwood is a former Member of the U.S. Congress and is currently the 10th President of the University of Guam.  As an educator, he has served as a teacher, school administrator, curriculum writer and administrator at the University of Guam.  He is a distinguished scholar with many publications to his credit.  He served as the Congressional Delegate from Guam in the 103-107th Congresses (1993-2003) during which he sponsored major legislation for Guam, played an active role in Department of Defense authorization bills and was a forceful advocate for political development for insular areas, the protection of oceans and coral reefs and the extension of educational and social opportunities for Asian Americans and Pacific Islanders.<br />
<br />
 As a senior member of the House Armed Services and Resources Committees, he was the ranking member for several subcommittees and panels. He emphasized the importance of Guam and the Asian Pacific Region in national strategic policy and secured the initial funding for the Guam National Guard Readiness Center. He ensured Guamâ€™s inclusion in major legislation such as the Telecommunications Act of 1996 that brought domestic telephone rates to Pacific territories, the State Children Health Insurance Program and legislation which created the Department of Homeland Security. He passed major legislation for Guam that resolved long standing land disputes with the federal government, brought recognition to Guamâ€™s World War II generation and their case for war claims and enhanced local autonomy (elected attorney general, magistrate bill).<br />
<br />
Robert was born in Guam (1948) and educated in Guam and California. He graduated from John F. Kennedy High School in Guam (1965) and received a Bachelors (1969) and Masters Degree (1971) from Cal State University, Los Angeles. He holds a Doctor of Education degree from the University of Southern California. He has five children, two grandchildren and is married to former Guam Senator Nerissa Bretania Underwood, a prominent educator and former Superintendent of the Guam Department of Education.<br />
<br />
As a teacher and Professor of Education at the University of Guam, he led the effort to include the Chamorro language and culture in the curriculum of Guamâ€™s schools and enhance multicultural understanding. He was appointed to the National Advisory Council on Bilingual Education during President Carterâ€™s administration. He also served as Chairman of the Chamorro Language Commission for over a decade and is widely acknowledged as a leading authority on cultural, educational and linguistic issues in Guam and Micronesia.<br />
<br />
Since becoming President of the University, in 2008, he has helped reposition the University as the â€œnatural choiceâ€ for thousands of young people in Guam and the Micronesian Region. He has significantly increased federal funding to the University and led a Good to Great (G2G) Initiative to build a great university for the region. He eagerly embraces the challenge of helping island communities take on issues related to change and building a sustainable future that continues our essence as islanders, protects our islands and oceans and builds strong societies and economies.]]></dcterms:description>
    <dcterms:publisher><![CDATA[The Museum of Underwater Archaeology]]></dcterms:publisher>
    <dcterms:rights><![CDATA[The Museum of Underwater Archaeology]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="http://www.themua.org/collections/items/show/1831">
    <dcterms:title><![CDATA[Dr. Bill Jeffery ]]></dcterms:title>
    <dcterms:subject><![CDATA[Conference Organizing Committee Chair introduction]]></dcterms:subject>
    <dcterms:description><![CDATA[Dr. Bill Jeffery introduces the conference and the online proceedings.]]></dcterms:description>
    <dcterms:publisher><![CDATA[The Museum of Underwater Archaeology]]></dcterms:publisher>
    <dcterms:date><![CDATA[11/28/2017]]></dcterms:date>
    <dcterms:rights><![CDATA[The Museum of Underwater Archaeology]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="http://www.themua.org/collections/items/show/1830">
    <dcterms:title><![CDATA[Dr. Le Thi Lien]]></dcterms:title>
    <dcterms:subject><![CDATA[Keynote Speaker ]]></dcterms:subject>
    <dcterms:description><![CDATA[Dr. Le Thi Lien is senior researcher at the Institute of Archaeology (VASS). Her studies focused on Oc Eo culture in southern Vietnam, early cultural exchanges and interaction with Southeast Asia, India and China, and archaeology of the naval battle fields. Results of her research have been presented in several international conferences of the IPPA, the EurAsia, the SPAFA, and UNESCO â€¦ Her publications include a book on â€œNghá»‡ thuáº­t Pháº­t giÃ¡p vÃ  Hindu giÃ¡o á»Ÿ Äá»“ng báº±ng sÃ´ng Cá»­u long trÆ°á»›c tháº¿ ká»‰ 10 [Buddhist and Hindu art in the Cuu Long River Delta prior to 10th century AD]â€ (2006), Editing book: â€œDi sáº£n Lá»‹ch sá»­ vÃ  nhá»¯ng hÆ°á»›ng tiáº¿p cáº­n má»›i  [Historical Heritages and New Perspective]â€ (2011); and more than 80 chapters and papers in Vietnamese and English.]]></dcterms:description>
    <dcterms:publisher><![CDATA[The Museum of Underwater Archaeology]]></dcterms:publisher>
    <dcterms:date><![CDATA[11/29/2017]]></dcterms:date>
    <dcterms:rights><![CDATA[The Museum of Underwater Archaeology]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="http://www.themua.org/collections/items/show/1829">
    <dcterms:title><![CDATA[Trade in Ceramics on Guam in the Wake of the Manila Galleon ]]></dcterms:title>
    <dcterms:description><![CDATA[Various colonial factors led to the Mariana Islands being one of the most economically isolated areas of the Pacific from the late 17th century until the late 18th century.  This isolation is reflected in the dearth of artifacts of European and Asian origin in the archaeological record.  Starting in the late 18th century rules on public trade were relaxed and outside goods became more readily available in the Marianas, if still uncommon. This paper considers the ceramic collection from the Rosario House located in Hagatna, Guam. The Rosario House has the largest data set of imported Euro-American and Asian historical artifacts that has been discovered in the Mariana Islands to date.   The collection is dominated by Provincial Chinese porcelains and stonewares but also includes a sample of refined European earthenwares. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Lon E. Bulgrin ]]></dcterms:creator>
    <dcterms:publisher><![CDATA[The Museum of Underwater Archaeology]]></dcterms:publisher>
    <dcterms:date><![CDATA[11/24/2017]]></dcterms:date>
    <dcterms:rights><![CDATA[Lon E. Bulgrin ]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="http://www.themua.org/collections/items/show/1828">
    <dcterms:title><![CDATA[Conservation of Artefacts from the Pearl Shell Fleet Mothership - Sanyo Maru 1937 ]]></dcterms:title>
    <dcterms:description><![CDATA[During November 2016 an expedition to the Arafura Sea, led by Maritime Archaeologist David Steinberg (Heritage Branch, Department of Tourism and Culture, Northern Territory, Australia) recovered a number of artefacts from the wreck of the Sanyo Maru a mothership for the Japanese pearl shell fleet. After 78 years underwater the steel-built vessel, resting upright, still retained substantial structural integrity. The dive team investigated the stern-half of the ship penetrating the main deck house via original accessways. The steel-framed structure still enclosed the space but the intervening plating was mostly absent due to corrosion. Cabin walls were also missing. Despite the relatively open environment a surprising number and type of artefacts remained in a good state of preservation, particularly ceramic items and glass bottles (two sealed with original contents). In terms of organic materials two perfectly intact lacquerware bowls and a quantity of chopsticks were recovered. Metal objects recovered vary in condition the extent of corrosion mainly a consequence of galvanic reactions. This paper explains the preparations to manage the artefact materials from the conservation perspective, photographic recording, cleaning and packing in the field situation and laboratory conservation treatments. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Jon Carpenter]]></dcterms:creator>
    <dcterms:publisher><![CDATA[The Museum of Underwater Archaeology]]></dcterms:publisher>
    <dcterms:date><![CDATA[11/24/2017]]></dcterms:date>
    <dcterms:rights><![CDATA[Jon Carpenter]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="http://www.themua.org/collections/items/show/1827">
    <dcterms:title><![CDATA[The elaboration of the UNESCO 2001 Convention on the Protection of the Underwater Cultural Heritage ]]></dcterms:title>
    <dcterms:description><![CDATA[The UNESCO Convention on the Protection of the Underwater Cultural Heritage was adopted in 2001. Like many such treaties, its text is the result of a compromise between opposing views. The negotiations leading to this instruments started in the Eighties at the initiative of underwater archaeologists who teamed up with lawyers and with the International Law Association. These pioneers considered that the United Nations Convention on the Law of the Sea (UNCLOS) did not protect adequately the underwater cultural heritage. But many States Parties to the UNCLOS were reluctant to re-open any kind of negotiation that might affect the delicate balance of the UNCLOS.  Moreover, the industry of salvage was also extremely reluctant to any new international legislation that may affect their activities, especially in the high seas. The process of preparation of an international legal instrument was suspended several times. It was finally put on tracks thanks to the pugnacity of a few UNESCO staff and ICOMOS members supported by Ministries of a Foreign Affairs of several countries wo convinced the UNESCO General Conference to enter the process of elaboration of a Convention. During the negotiation of the text, the views expressed by the delegations of UNESCO Member states were often antagonistic. In the discussions, the ICOMOS Committee on Underwater Cultural Heritage (ICUCH) played a major role, by sensitizing the diplomats to the urgency of adopting a legal instrument at a time when technology had made possible to explore practically all ancient vessels lying on the seabed. The author has participated in some key steps of the elaboration of the Convention and will present some of the legal and ethical positions expressed at the negotiations and that have led to the compromise adopted in 2001. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Etienne ClÃ©ment ]]></dcterms:creator>
    <dcterms:publisher><![CDATA[The Museum of Underwater Archaeology]]></dcterms:publisher>
    <dcterms:date><![CDATA[11/24/2017]]></dcterms:date>
    <dcterms:rights><![CDATA[Etienne ClÃ©ment ]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="http://www.themua.org/collections/items/show/1826">
    <dcterms:title><![CDATA[Preservation of Underwater Cultural Heritage in Taiwan: Legislation and Challenges ]]></dcterms:title>
    <dcterms:description><![CDATA[The Convention on the Protection of the Underwater Cultural Heritage was adopted in 2001 by the United Nations Educational, Scientific and Cultural Organization (UNESCO).  The convention acknowledges the importance of underwater cultural heritage as an integral part of the cultural heritage of humanity and a particularly important element in the history of peoples, nations, and their relations with each other concerning their common heritage.  The responsibility of protecting and preserving the underwater cultural heritage therefore rests with all States (UNESCO, 2017.).  By echoing the spirit of the above convention, the Legislative Yuan (Parliament) of Taiwan adopted the Underwater Cultural Heritage Preservation Act on November 24, 2015.  The Act was promulgated by the President and was also put into force on 9 December 2015.  The Law is in seven chapters with 44 articles.  The chapters cover general provisions, attributed rights and international cooperation, activities involving underwater cultural heritage, in-situ preservation of underwater cultural heritage, excavation management in the sea, public education <br />
                                                          <br />
and professional training, penalties, and supplementary provisions.  This paper introduces the recent research projects of underwater cultural heritage in Taiwan, illustrates the enactment process of the new law and highlights its main features.  The paper concludes that it is essential to have further integration of management affairs, establishing national research institute, strengthening the international cooperation and the professional training, implementing related bylaws and mechanisms, and promoting public awareness, which also become daunting challenges faced by Taiwan as it marches toward the protection of its precious underwater cultural heritage.]]></dcterms:description>
    <dcterms:creator><![CDATA[Ching-Ching Kuo ]]></dcterms:creator>
    <dcterms:creator><![CDATA[Chun-Pei Liao ]]></dcterms:creator>
    <dcterms:creator><![CDATA[Wen-Yan Chiau]]></dcterms:creator>
    <dcterms:publisher><![CDATA[The Museum of Underwater Archaeology]]></dcterms:publisher>
    <dcterms:date><![CDATA[11/24/2017]]></dcterms:date>
    <dcterms:rights><![CDATA[Ching-Ching Kuo ]]></dcterms:rights>
    <dcterms:rights><![CDATA[Chun-Pei Liao ]]></dcterms:rights>
    <dcterms:rights><![CDATA[Wen-Yan Chiau]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="http://www.themua.org/collections/items/show/1825">
    <dcterms:title><![CDATA[The ethics behind climate change: Small Island Developing States in the Pacific as new underwater cultural heritage ]]></dcterms:title>
    <dcterms:description><![CDATA[Predictions forecast changes in climate that may affect underwater cultural heritage in the future. Warmer waters mean more chemical changes and the proliferation of teredo navalis. Ocean currents may cause disturbances to the layer of sediment protecting underwater cultural heritage sites. The rises in sea levels would reduce the amount of time an air-breathing diver can safely spend under water and hence their productivity. Rises would also mean expansion, which could raise the problem of ocean delimitation. Also our land tangible cultural heritage will be submerged: entire nations and their cultural heritage may disappear, an issue affecting mostly the Small Island Developing States -many of them in the Pacific-, more vulnerable to rises in sea levels. Their identity as citizens of their cities, as members of a community with their own tangible past, complete with their cultural heritage, will disappear. Their land heritage will become underwater cultural heritage but for more than 100 years will not be protected under the 2001 UNESCO Convention.  This paper will look at climate change in these Asia-Pacific communities from the ethics as a core element and will study the introduction of these flooded areas as new underwater cultural heritage, proposing an AsiaPacific values-orientated qualification of underwater cultural heritage as a natural resource.]]></dcterms:description>
    <dcterms:creator><![CDATA[Elena Perez-Alvaro ]]></dcterms:creator>
    <dcterms:publisher><![CDATA[The Museum of Underwater Archaeology]]></dcterms:publisher>
    <dcterms:date><![CDATA[11/24/2017]]></dcterms:date>
    <dcterms:rights><![CDATA[Elena Perez-Alvaro ]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="http://www.themua.org/collections/items/show/1824">
    <dcterms:title><![CDATA[A Methodology for Accurate and Quick Photogrammetric Recording of Underwater Cultural Heritage]]></dcterms:title>
    <dcterms:description><![CDATA[In the past seven years, photogrammetry has become one of the main recording methods in maritime and underwater archaeology. The application of photogrammetry allows archaeologists to re-create underwater cultural heritage sites in 3D digital formats, and extract from these 3D digital models data and information required for subsequent scholarly research. The author has been using photogrammetry since 2014 and has successfully created nearly 40 underwater cultural heritage models on more than 10 archaeological projects. The projects have ranged in size, accessibility, and water clarity, introducing a number of variables to the photogrammetry of the artifacts. The variety of experiences gained on these projects have enabled the author to construct his own methodology and workflow for photogrammetric recording. In this paper, the author shares examples of his methodology and workflow for photogrammetric recording of various projects in different countries.   ]]></dcterms:description>
    <dcterms:creator><![CDATA[Kotaro Yamafune ]]></dcterms:creator>
    <dcterms:publisher><![CDATA[The Museum of Underwater Archaeology]]></dcterms:publisher>
    <dcterms:date><![CDATA[11/24/2017]]></dcterms:date>
    <dcterms:rights><![CDATA[Kotaro Yamafune ]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="http://www.themua.org/collections/items/show/1823">
    <dcterms:title><![CDATA[Seamanship and Navigation: Seafarers on Board Daily Skills in Chinese Junk ]]></dcterms:title>
    <dcterms:description><![CDATA[Chinese sailing traditions changed a little through time; sailors inherited their onboard skills, expertise, and experience by orally imparting others with physical instruction. But these daily skills were rarely recorded or studied in the past. For seafarers, how to operate and maneuver a Chinese junk was their daily work; and apart from sparse historical documents such as Phing-Chou Kho Than (Yu, 1117), Shi Liu-Qiu Lu (Xiao and Xia, 1580) (Fig. 1), and preliminarily observations by G.R.G. Worcester, Joseph Needham, Thomas Hoppe, and others, seamanship and navigation were kept in the minds of surviving successions of living sailors. In 2004, the author had an opportunity to sail on a nearly 100 year old Jin Hua Xin as an apprentice sailor for her last voyage. Several months of onboard experiences provided a rare field investigation to approach the complex mechanism of crew, their organization and their daily work. This experience led the authors to raise a marine ethnographic field investigation project along Fujian coast. Experimental archaeology creates effective scenes for realistic performance of past systems. A small full-size replica LanTay II was built for a series of archaeological voyages; the data gathered from the traces of past sailing routes will verify and add some knowledge for understanding the real daily work of Chinese seafarers onboard. In this paper, the authors shall present combined researches on historical documents, past observations with lively oral materials achieved by marine ethnographic field investigation on traditional sailing ports along South Fujian coast; throughout this research, the authors approach the knowledge about seafarers onboard daily skills and try to present the research about the sailors methods to maneuver the junk and its navigation system by means of a combination of instinct, eyesight, memory, and skill.]]></dcterms:description>
    <dcterms:creator><![CDATA[Xu Lu ]]></dcterms:creator>
    <dcterms:creator><![CDATA[Yu Long Fa ]]></dcterms:creator>
    <dcterms:publisher><![CDATA[The Museum of Underwater Archaeology]]></dcterms:publisher>
    <dcterms:date><![CDATA[11/24/2017]]></dcterms:date>
    <dcterms:rights><![CDATA[Xu Lu ]]></dcterms:rights>
    <dcterms:rights><![CDATA[Yu Long Fa ]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="http://www.themua.org/collections/items/show/1822">
    <dcterms:title><![CDATA[Uraga Port between Manila and Acapulco ]]></dcterms:title>
    <dcterms:description><![CDATA[Uraga Port at the southern end of the Miura Peninsula, located at the entrance of Tokyo Bay, is formed as a deep cove from the Pacific Ocean; it is less susceptible to weather conditions and is suitable for the natural environment. In the 16th and 17th centuries, Japan opened three international trade ports. Holland and England is Hirado, Portugal is Nagasaki, Spain is Uraga. Ieyasu Tokugawa begins dispatching shipbuilding engineers and miners from Spain and as a result of negotiating with the Philippine Governor General, the Spaniards of Manila visited Uraga Port every year since 1604 and the Franciscan Monastery in the town was built. Ieyasu Tokugawa also sent British William Adams to Manila and negotiated to continue dealing with Spain However, contrary to the intention of Ieyasu Tokugawa, Spain did not convey shipbuilding technology and mining technology. In 1611, Mexican envoy SebastiÃ¡n VizcaÃ­no came to Uraga, but only the east coast of Japan was investigated. At the beginning of the Edo period Christianity was forbidden in 1613. Just before the death of Ieyasu Tokugawa, Diego de Santa Catalina came to Uraga, Ieyasu Tokugawa questioned Spain&#039;s attitude, banished him to Spain, and the transaction with Spain was completely completed. Japan took an isolation policy and only Uraga Port quietly disappeared as a trade port. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Kahoru Suzuki]]></dcterms:creator>
    <dcterms:publisher><![CDATA[The Museum of Underwater Archaeology]]></dcterms:publisher>
    <dcterms:date><![CDATA[11/24/2017]]></dcterms:date>
    <dcterms:rights><![CDATA[Kahoru Suzuki]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="http://www.themua.org/collections/items/show/1821">
    <dcterms:title><![CDATA[Who Were the Africans in Eastern Asia? : The Christian European Period 1500-1900 AD ]]></dcterms:title>
    <dcterms:description><![CDATA[Seaways, especially monsoonal ones, allow movement on two directions. However Eurocentric approaches have tended to create hierarchies of cultures which have biased movements in particular directions to the historical exclusion of some narratives. This is a fresh look at a cultural connection from a perspective that has evaded investigation and seeks to balance the research on Chinese interactions with Africans in Africa. Africans have been trading with Asia for hundreds of years, yet their history and presence in East Asia has been barely suggested or investigated. The role of African crewmen is an important part of this narrative and one that brings a new dimension (if not challenges) to ethnographic studies of maritime cultural landscapes and seascapes. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Clifford Pereira ]]></dcterms:creator>
    <dcterms:publisher><![CDATA[The Museum of Underwater Archaeology]]></dcterms:publisher>
    <dcterms:date><![CDATA[11/24/2017]]></dcterms:date>
    <dcterms:rights><![CDATA[Clifford Pereira ]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="http://www.themua.org/collections/items/show/1820">
    <dcterms:title><![CDATA[Legal Status of Sunken State Vessels and Sovereign Immunity ]]></dcterms:title>
    <dcterms:description><![CDATA[The entry into force in 2009 of the UNESCO Convention on the Protection of Underwater Cultural Heritage (hereinafter referred to as â€˜UCH Conventionâ€™) adopted in 2001 could be regarded as a welcome development to elaborate or clarify any ambiguity of only two marginal provisions as Article 149 and 303 with regard to underwater cultural heritage in United Nations Convention on the Law of the Sea in 1982 (hereinafter referred to as â€˜UNCLOSâ€™). Some texts of the UCH Convention, however, give controversy in fact to the comprehensive international order of the seas in relation to the other provisions of UNCLOS and customary international law, e.g., the definition of underwater cultural heritage, the â€˜creepingâ€™ expansion of coastal statesâ€™ jurisdiction especially in the EEZ and on the continental shelf, and the sovereign immunity of sunken state vessels [The paper primarily follows to the terminology of the UCH Convention which uses â€˜state vesselsâ€™. It is defined as â€˜warships, and other vesselsâ€¦that were owned or operated by a State and used, at the time of sinking, only for government noncommercial purposesâ€™ in Article 1(8).] This presentation will especially focus on the issue of sovereign immunity of sunken state vessels amongst them. International law in relation to warships is complex and uncertain and the issue has high political sensitivity as Article 2(8) of the UCH Convention reflects such a circumstance. The purpose of the presentation, therefore, is to explore the legal status of sunken state vessels. It examines the related provisions and their drafting process of the UCH Convention, the legal status of warships which UNCLOS provides and in the rules of customary international law. It will also observe some cases including notable States practices.]]></dcterms:description>
    <dcterms:creator><![CDATA[KaÃ¨ Oyama ]]></dcterms:creator>
    <dcterms:publisher><![CDATA[The Museum of Underwater Archaeology]]></dcterms:publisher>
    <dcterms:date><![CDATA[11/24/2017]]></dcterms:date>
    <dcterms:rights><![CDATA[KaÃ¨ Oyama ]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="http://www.themua.org/collections/items/show/1819">
    <dcterms:title><![CDATA[The Iron Grapnel Supposed to Belong to the Sinan Shipwreck and Other Anchors in East Asia ]]></dcterms:title>
    <dcterms:description><![CDATA[In 2016 an iron grapnel was shown in some special exhibitions marking the 40th anniversary of the Sinan shipwreck excavation in Korea.  The grapnel 2.3m length has four arms, and it had been raised by a fishermanâ€™s net in 1972 before the wreck was discovered.  Around<br />
 the Song Dynasty of China, stone anchor stocks composed of wooden shanks were generally used; their distributions ranged from the Primorsky region of Russia in the north to the south in Vietnam and the Philippines.  In Korea and in Japan, crude stone anchor stocks modelled after Chinese anchors were widely used at that time.  From the Takashima underwater site associated with the Mongolian invasion of Japan in the 13th century or during the early Yuan Dynasty, stone anchor stocks of separate type were frequently discovered.  After the Ming Dynasty, iron grapnels started to be used in large, but at the same time wooden anchors were also kept in use on different styles from region to region.  In Japan, iron four-armed grapnels were appeared in some art pictures after the Muromachi Period, and then during the Edo Period those grapnels became popular as the mainstream of Japanese anchors.  The iron four-armed grapnel, which is considered to have belonged to the Sinan shipwreck, seems to have equipped on a Japanese vessel dated from the Edo period to early modern times as its characters are found among Japanese grapnels. However, the possibility that it still belonged to the Sinan shipwreck could not be denied completely, because the actual origin of Japanese grapnels is unknown; Chinese manufacturing technology of grapnels, which is known for the time being, was different from Japanese one, but another technology, which would have an impact upon both Japanese and the Sinan shipwreckâ€™s grapnels, might have existed in China.   ]]></dcterms:description>
    <dcterms:creator><![CDATA[Mitsuhiko Ogawa ]]></dcterms:creator>
    <dcterms:publisher><![CDATA[The Museum of Underwater Archaeology]]></dcterms:publisher>
    <dcterms:date><![CDATA[11/24/2017]]></dcterms:date>
    <dcterms:rights><![CDATA[Mitsuhiko Ogawa ]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="http://www.themua.org/collections/items/show/1818">
    <dcterms:title><![CDATA[Developing the Foundation for Sustainable Management of Underwater Cultural Heritage Starting from Local Involvement: Case Studies in Okinawa ]]></dcterms:title>
    <dcterms:description><![CDATA[The Ryukyu Archipelago is well known for its beautiful ocean and coral reefs; and thanks to these beautiful oceans, scuba diving and snorkeling and have become one of the most important activities for its tourist industry of the archipelago. Around the islands, 230 underwater cultural heritage sites were found and identified. In this presentation, the authors shall introduce their attempts and case studies regarding the public engagement of local communities with management of underwater cultural heritage, including providing guidelines for sustainable valorization of the site with local marine sports industry. For Yarabuoki underwater site of Ishigaki Island, there are seven iron grapnel anchors and a cluster of Early Modern Ryukyuwan ceramic jars (tsuboya-yaki). To establish a connection/relationship between the site and the local professional divers, who actually go into the sea and see the site most frequently, the authors provided workshops about UCH and a place where <br />
archaeologists and the local professional divers can exchange their opinions. The goal of these activities is to ask professional divers of local communities help to monitor UCH after scientific evaluations led by archaeologists are completed. The Ohajima underwater site is located off the Coast of Kume Island in Okinawa. This site contains a dense distribution of medieval Chinese pottery. Public open-houses were experimentally organized twice for local communities. The Board of education from local communities (for instance, Kumejima Museum) and local diving communities were heavily involved and helped underwater archaeologists and the research team to organize this event.<br />
 After continuous attempts of public outreach, public awareness and interests for UCH among the local diving communities has increased. More divers have started visiting the sites. However, an increase in public awareness creates another concerns that it exposes the UCH sites into social media such as blogs by visitors, articles on diving magazines, and so on. Henceforth, the next challenge confronting the authors and the local communities regarding these sites are plans to properly monitor those sites and a proposal for a reliable long-term management plans. More importantly, these monitoring and management plans have to involve wide varieties and different type of local communities.]]></dcterms:description>
    <dcterms:creator><![CDATA[Yumiko Nakanishi]]></dcterms:creator>
    <dcterms:creator><![CDATA[Rintaro Ono]]></dcterms:creator>
    <dcterms:creator><![CDATA[Norimitsu Sakagami ]]></dcterms:creator>
    <dcterms:creator><![CDATA[Hironobu Kan ]]></dcterms:creator>
    <dcterms:creator><![CDATA[Chiaki ]]></dcterms:creator>
    <dcterms:publisher><![CDATA[The Museum of Underwater Archaeology]]></dcterms:publisher>
    <dcterms:date><![CDATA[11/24/2017]]></dcterms:date>
    <dcterms:rights><![CDATA[Yumiko Nakanishi]]></dcterms:rights>
    <dcterms:rights><![CDATA[Rintaro Ono]]></dcterms:rights>
    <dcterms:rights><![CDATA[Norimitsu Sakagami ]]></dcterms:rights>
    <dcterms:rights><![CDATA[Hironobu Kan ]]></dcterms:rights>
    <dcterms:rights><![CDATA[Chiaki ]]></dcterms:rights>
</rdf:Description></rdf:RDF>
